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Oops, looks like you forgot something. Please check the fields highlighted in red. Yes, that's correct Do not update. Good Used Good condition items function properly but may exhibit some wear and tear. CT Casiotone Key Synthesizer. Altiverb , by Audio Ease, is one of the best convolution reverbs on the market.
It emulates real spaces with incredible accuracy, creating reverbs that are almost indistinguishable from their real-life counterparts. Altiverb has several controls to edit the sound of the reverb space you choose. As with any reverb plugin, we have the familiar reverb time, size, and pre-delay which can be synced to the tempo.
There are also a few specialized parameters as well. Having the ability to incorporate some algorithmic and real-world reverb in the same plugin is a fantastic tool for fine-tuning the reverb sound. Dampening simply refers to softening the surfaces in the room. Soft surfaces will absorb higher frequencies more easily, so dampening will generally result in a warmer sound.
The drop-down menu allows us to set the crossover frequency of the three included bands: low, mid, and high. Remember that these parameters are different, with pre-delay setting the amount of time between the initial signal and early reflections and attack applying a volume envelope to the beginning of the reverb signal. Altiverb also offers a positioner, which allows the user to place a signal on a stage.
This can be used as an interesting sound design tool or as a method for giving elements their own stereo space in a mix.
If you want a full guide for Altiverb, be sure to check this video out. If you want to brush up on these uses, head here. When put in a space, a sound is forced to compete for mix space with its associated ambiance. As a result, the original sound can sometimes be taken out of focus. Sending signal to reverb returns helps alleviate this problem, but nothing sounds more focused than a totally dry sound. The perfect compromise between creating space and maintaining a clear sound is key in creating a lush and crisp mix, and should be your main goal when dealing with reverb.
Both insert reverbs and reverb returns can be used beneficially, and using them intentionally will have the best results. Insert reverbs can certainly be used, but are better implemented in sound design.
The reverb signal should be treated as its own entity in your mix, as it really is just another sound you have to mix in. By sending sounds to a reverb bus, the original sound is maintained at its channel and the reverb signal can be fine-tuned on the return channel.
As with most sends, you should send the signal as close to 0 dB as possible and adjust the fader on the reverb return channel to balance the reverb in the mix. Insert reverbs do not offer this flexibility. Since the ability to exclusively edit the reverb is so important in achieving a clear mix, sounds should be sent to a bus for this type of reverb. When working with reverb, there are a few mistakes that are easy to make. First and foremost is simply using too much reverb. Reverb is designed to provide ambiance, the background behind the main sounds of the track.
Using too much reverb can bring that ambiance forward, cluttering the mix and masking main elements. This can reduce mix clarity and definition, so be purposeful when deciding what gets sent to reverb. They can provide a sense of space without muddying a mix like reverb can. But like reverb, delays should not be so overbearing that they mask sounds within a track. Balancing your reverb and delays with everything else is key. Another easy mistake to make is using too many different reverb spaces in one mix.
And by sending sounds to the same reverb bus you create more sonic continuity between them in your mix. Reverb with loud higher frequencies is another issue many mixes run into. Naturally, high frequencies in a reverb decay faster than lower frequencies. The high frequencies in a bright reverb signal are decaying slower than they would in real life, so can sound unnatural.
High frequencies in a reverb can also mask elements in a mix, so should usually be avoided. As always, bright reverbs can be used creatively, but are not ideal. Appropriately using reverb will give your mixes a clear ambiance, and will do so without adding mud to the mix. If you have any questions or feedback, feel free to leave them in the comments below.
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